Syllabus Sections:-

Modulation

4f.1 Recall the meaning of the term peak deviation.

When dealing with FM you will come across the term Peak Deviation which means the MAXIMUM amount by which the frequency of the signal may deviate from the carrier frequency.

Deviation is the frequency change from the carrier frequency both above the carrier frequency and below.

The amount of the deviation is proportional to the amplitude of the applied signal and NOT the frequency of the applied signal. Thus the louder you speak into the mic the greater the voltage that will be applied to the stage and the greater the deviation.

#### Greater the applied voltage the greater the deviation

Thus a signal of 3mV at 1kHz will create greater deviation than a signal of 1mV at 3kHz

Recall the meanings of narrow band and wide band modulation for frequency modulation.

The peak deviation is used to assess the Modulation Index.

In the world of broadcast radio the Modulation Index is 75kHz divided by 15kHz = 5 and being greater than one is described as Wide Band FM or WBFM.

In amateur radio in the 2m band with 12.5kHz channel spacing the peak deviation is usually 2.5kHz with a maximum audio frequency of about 3kHz giving a Modulation Index of 0.83 and being 1 or less is termed Narrow Band FM or NBFM.

Recall the meaning of depth of modulation for amplitude modulation.

First let's recall the diagram of wave forms from your Foundation Licence course.
 This should need no explanation but let's remind you that the audio signal is that into say the microphone, the carrier is the carrier whether it is AM of FM, the modulated carrier as shown is the AM wave form . Now the wave forms have been changed a little as we are to explain Depth of modulation. Modulation index can be defined as the measure of extent of amplitude variation about an un-modulated carrier. M = RMS value of modulating signal / RMS value of unmodulated signal. If expressed as a percentage it is the same as the depth of modulation. Notice that at the start of the audio wave for the audio is zero and there is only carrier on the AM signal. Then notice how the audio wave form increases the amplitude of the carrier when the signal is positive and reduces the carrier when the signal is negative.

Thus the audio signal is carried as an exact image of itself on the AM signal, assuming no distortion which there must not be else the received audio would also be distorted.

The Depth of Modulation

It is typically the modulation index expressed as a percentage.

Thus a modulation index of 0.5 would be expressed as a modulation depth of 50%, etc. Depth of modulation is the peaks and troughs of a modulated carrier wave Thus in the example shown M=A/B (0ther information sources may show this differently). It is said that the amplitude of the carrier wave is doubled because the variation between the peak and the trough of modulated is twice that of the carrier amplitude.

Looking at value of A and B shows that the carrier wave is more or less 100% modulated, as half is amplitude above the carrier and half below .5 + .5 = 1 or 100% Increasing modulation further still would overmodulate the carrier causing break up in the signal and distortion in the resultant audio

4f.2 Understand the operation of a.m., s.s.b, and f.m. modulators.

Recall the bandwidth of such transmissions.

Let's recap what a transmitter does. The signal from a transmitter is know as the carrier wave whether it is AM FM of SSB - they are all the same. It is what is done to the carrier wave that make the difference mode, AM - SSB - FM.

AM MODULATION

The above is a diagram you have seen in the Intermediate Course. The modulation is achieved by varying the amplitude of the carrier, produced by the RF Oscillator, by the applied audio signal carried out in the modulator.

The variation in the modulating signal or put it another way the frequency of the audio, is low by comparison to the carrier wave frequency.
 From the diagram the carrier is in blue and the black line is the frequency wave form, whilst in the red area the applied audio has impacted upon the carrier but is at a far lower frequency than the carrier which can still be seen as a black wave form.

All modulations using a change in amplitude of the output signal initially have four component parts:-

• the carrier frequency
• a range of frequencies above the carrier
• a range of frequencies below the carrier
• original audio frequency unwanted and filtered out

The side frequencies above and below the carrier are the "Side Bands" of frequencies or just side bands.

SSB MODULATION

In the SSB modulation whilst it starts off the same as the AM the transmitter then has to carry out two more functions:-

• take out the carrier called "Carrier Suppression"
• remove one of the side bands.

From the Intermediate Course comes again the diagram above and you learned that Modulator or Mixer uses the audio signal from the AF amplifier and the RF to produce four frequency components.

But this is where the SSB transmitter differs from the AM transmitter.

Note that in the SSB transmitter we are using a Balanced Modulator. This differs from the Modulator in the AM as only signals equal to the sum and difference of the RF and AF signals are output as sidebands.

Neither of the original RF - the Carrier - nor AF signals are passed by the Balanced modulator also called a Balanced Mixer.

Then as only one side band is wanted the other is filtered out prior to the signal passing into the power amplifier.

FM MODULATION

For the FM signal the modulation is different. Again the diagram is what you have seen in the Intermediate course but this time notice that the AF Amplifier is feeding its output to the RF oscillator and thus it is directly modifying the frequency of the signal and NOT the amplitude.

Recall the bandwidth of such transmissions. a.m., s.s.b, and f.m.

In communication systems we are not looking for the best possible reproduction of the original input into the microphone but a signal that gives good intelligibility of what was input into the microphone. This can be achieve with a signal about 2.5kHz wide.

AM

With a signal in of 2.5kHz the AM transmitter creates the side bands and it has been found by experimentation over the years of amateur radio that an AM signals need to have a bandwidth of about 5 to 6 kHz to achieve a good signal at the speaker of the receiver.

SSB

With SSB as one of the side bands is suppressed the bandwidth can be half that of the AM signal so a typical bandwidth is 2.5kHz

FM

In FM it is the frequency that is modulated by the input to the microphone The bandwidth needed for FM is similar to that of AM about 5 to 6 kHz .

Carson's rule

Defines the approximate modulation bandwidth required for a carrier signal that is frequency-modulated by a spectrum of frequencies rather than a single frequency.

The Carson bandwidth rule is expressed by the relation Bw = 2(Afmax+Δf )

Where Bw is the bandwidth requirement,

Af is the highest modulating frequency

Δf is the carrier peak deviation frequency

For example, Carson's rule would say that the bandwidth of speech (300Hz to 3KHZ) with a peak deviation of 5KHZ would be.

Bw = 2(3KHZ+5KHZ)

Bw =2*8KHZ

Bw =16KHZ

4f.3 Understand, in functional terms, the operation of data modulators for F1B (direct frequency shift), F2B (frequency shift keyed audio tone on an f.m. transmitter) and J2B (frequency shift keyed audio tone on an s.s.b. transmitter).

In this section you need to understand what the "code" is for the various modulations. The three codes of interest here are F1B, F2B and J2B. These codes do not appear in the lifetime licence but are the international designations for data.

The first common element is

• the F which stands for FM.

The next common element is

• the "2" which indicates that there is a keyed audio tone modulated onto a carrier .

The last common element is

• the "B" is common element. This is used to indicate that the mode is for automatic data reception in other words you are using a machine / computer to read the data.

The two items only used once each in the examples of the code is:

• the "J" which stands for SSB and

• the "1" which indicates that is NO data modulating the carrier.

The code therefore just tells :-

• what the modulation is and for this section either FM or SSB

• whether there is a keyed audio tone modulated carrier or not we have just 1 to indicate direct frequency shift ( no keyed audio ) thus FSK and 2 where there is keyed audio keying tone thus AFSK

• that in this case it is for automatic reception in other words without a computer or other decoder you will not make comprehensible sense of the sounds

In functional terms with the F1B (direct frequency shift) it is FM and for automatic reception but the raw data and not audio is fed is directly into the transceiver that determines the output frequency and in modern rig you would have to set the parameters of the tones that the data needs to create at the output. This is also known as FSK FREQUENCY SHIFT KEYING

In functional terms with the F2B (frequency shift keyed audio tone on an f.m. transmitter) it is again FM and for automatic reception but this time the audio tones are fed into an "audio data in" socket of the rig (if it has one) or into the "microphone socket" as it is the audio sound of the tones uses to generate the changes in frequency just as happens with a voice transmission. This is also known as AFSK AUDIO FREQUENCY SHIFT KEYING

In functional terms with the J2B (frequency shift keyed audio tone on an s.s.b. transmitter) this is an SSB signal for automatic reception and like the FM version is generate by the audio tones which are fed into an "audio data in" socket on the rig (if it has one) or into the microphone socket, for it to generate the changes in amplitude of the signal just as for voice. This is also AFSK but into a SSB transmitter.